Do Patti movie review: Shallow Kajol-Kriti Sanon film fails to deliver on its promise
Do Patti movie review: There’s enough in Kriti Sanon-Kajol film for a juicy, substantive drama. But the unpacking turns more into an unravelling, mainly because the writing is shallow, and the characters lack depth.
‘Do Patti’ comes armed with much promise. This is the first offering by a brand new female-led production house, but producer-actor Kriti and writer Kanika Dhillon have actually created an interesting ensemble led by Kajol, popular TV actor Shaheer Sheikh, Tanvi Azmi, Brijendra Kala and Vivek Mushran. What’s not to like? Turns out, quite a lot.
The film begins busily. An adventure over the skies, in the mountains, turns into near-disaster. A shaken wife points a finger at her husband, accusing him of lethal designs. Local cop Vidya Jyoti aka VJ (Kajol) begins probing the case. Is Saumya (Kriti Sanon), with bruises on the face, right in assuming that Dhruv (Shaheer Sheikh) has put her life in danger? Why would Dhruv, scion of businessman who wants to increase his base, ask for her hand in marriage after a sweet romance? Is he as nice as he seems, or is he a monster? What is Saumya’s highly competitive identical twin Shailee (Kriti Sanon again, in a double role) hiding? Does the elderly woman (Tanvi Azmi) who has been a part of the twins’ rocky childhood, know something?
There’s enough here for a juicy, substantive drama. But the unpacking turns more into an unravelling, mainly because the writing is shallow and the characters lack depth. That is disappointing, especially since Dhillon had come up with the deliciously wicked ‘Phir Aayi Haseen Dilruba’ just a few months back.
Kriti Sanon’s double act — helpfully described as ‘Seeta aur Geeta’, just in case we miss it — seems to have been created solely for the actor to show us that she can do both docile-and-wanton. Yes, she can, and Sanon does build on the promise she had shown in ‘Teri Baaton Mein Aisa Uljha Jiya’, especially in the gleefully demented climactic scene in which she steals the film. But Saumya’s presence, wielding her thick kohl-eyed Deepika Padukone-‘Cocktail’ vibe feels forced fit into a film which tries to talk about domestic abuse.
Kajol’s VJ gets a slo-mo running-to-the-spot-of-the-alleged-crime hero’s entry, but this ain’t ‘Singham’. Her track boasts a trusted colleague in the shape of the capable Brijendra Kala, who plays like a hanger-on: one moment she and the main guy are wandering around hilly roads; in another they find themselves in a neighbouring state, chasing a tip-off, without taking any kind of permission. And then, without missing a beat, VJ swivels from being a cop to a lawyer to a face-reading cracker-of-case. How can this be taken seriously?
I was expecting much more from this collaboration with Kajol, Kriti, and Kanika.
# Summary of “Do Patti”
“Do Patti” is an intriguing drama that is set around the lives of separated twin sisters, Shailee and Soumya, essayed by Kriti Sanon. The film unfolds their complicated relationship along with the context of jealousy with domestic violence.
# Important Themes
Sisterhood: Sisterhood depicted through the story of the twin sisters is not really explored but rather how their past lives have tainted their present lives in terms of their lifestyle.
Domestic Violence: It revolves around the heavy issue of abuse through the character of Dhruv, played by the dashing Shaheer Sheikh, who serves as a husband and an antagonist.
Empowerment: The story is rich in a determined police officer, portrayed by Kajol, fighting for the sisters.
# Performances
Kriti Sanon was shown power in both roles she performed and pretty well portrayed the emotional turmoil that two sisters would go through. Kajol does a great job also in her role, adding depth to the story in terms of her strength and resolve.
#Criticism
The movie begins full of emotional depth, and its character development is excellent in the beginning. However, some critics feel that it loses its steam in the last half of the movie. Sometimes the predictability of the narrative also derails from its overall message.
All in all, “Do Patti” is a thought-provoking film which combines drama and an important social issue, making it all the more relevant viewing for audiences interested in stories of resilience and empowerment.
# What are the central themes in Do Patti?
Domestic Violence: The movie depicts fragile violence sensately. It deals with the psychology of both victims and how perpetrators come into existence, and the social compulsions which complicate these issues.
Sisterhood and Rivalry: It deals with the strained relations between twin sisters Saumya and Shailee. That centers on the theme of jealousy and betrayal over the same man.
The story portrays issues such as PTSD, child trauma, and anxiety to show how it affects the behavior and the overall relationship of the individual.
Empowerment and Justice: The film was directed toward the character in ‘Inspector Vidya,’ which asserted justice for the victims and challenged conventional social issues of abuse.
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#”Do Patti” depicts a number of important themes:
Domestic Violence: This film narrates sensitive violence, probing the psychological traumatization of victims and the mindset of domestic abusers, pointing out the intricacies in those relationships13.
Sisterhood and Sibling Rivalry: This film follows through on the tensed relationship between twin sisters Saumya and Shailee filled by jealousy and competition over the same love interest; it shows how their past defines their present.
Mental Health: The plot revolves around conditions like PTSD, anxiety, and depression, showing how all these situations affect behavior and relationships above all in cases of trauma and abuse.
Justice and Empowerment: The whole movie emphasizes the need for justice for the victims, where the character Inspector Vidya raises many questions that trigger the accountability of society toward domestic violence.
# How does Kanika Dhillon’s writing style reflects in the tone of the film?
The kind of writing involved by Kanika Dhillon in “Do Patti” greatly contributes to the feel of the film as it puts under the microscope some rather complex relationships and intense emotions.
Depth in Characters: Dhillon is quite versatile in her writing, especially when it comes to character design. The way she introduced the twin sisters in the movie displays how rivalry and emotional strife unveil a multifaceted nature between the twins. It is upon this complexity that realism and engagement take form in the story.
Light Themes: The movie has some serious issues like domestic violence and mental health to be addressed using raw and, at times, uncomfortable scenes for the sake of evoking powerful emotions in the viewers.
Pacing and Flow: Starting with a gripping pace and maintaining the audience engaged, Dhillon’s habit of over explaining themes in the second half is what reduces suspense and shifts the tone of the thriller from social commentary to an overtly explicit one.
Dialogue and Voice: Often, the dialogue will be a mix of dark and funny, an edgy tone that really resonates with contemporary issues but gives light relief in tense moments.
Generally, Dhillon’s pen has lent the story hard-hitting yet not so perfect; engrossing often, engaging while dealing with heavier themes in brooding sibling bonds.
Only the voiceovers in Haseen Dillruba enhance the experience of the story?
In “Haseen Dillruba,” voiceovers in a number of ways improve the narration:
Gives access to the inner life of Rani directly, hence gives knowledge about the motives she has and inner conflicts. This works to improve character development.
The narrative structure is driven by the voice-over for a non-linear structure of the storytelling as much of the plot unravels through Rani’s flashbacks while she narrates her story to the police officer. This technique keeps the audience engaged and adds layers to the mystery unfolding.
The overpowering lyricality in Rani’s voice gives a tone to the film-a tone that can be defined as dark humour with deep elements of melodrama. For instance, when she says “if love doesn’t push you to the brink of insanity, is it really love?”, that conveys the tongue-in-cheek seriousness with which the film describes love as well as obsession.
Emotional Relevance: The fantasies and desires of Rani are articulated through the voiceover, hence connecting emotionally with the spectators as her experiences become more intelligible and insightful.
Overall, Dhillon’s voiceovers accelerate not only the story plot but also involve the audience with the emotionally charged scenarios involving the characters.
#How does Rani’s voiceover reveal her personality as well as develop characters?
Rani’s voiceover in “Haseen Dillruba” further encompasses her personality and character development through vibrant usage of expressions and often poetic diction.
Inner Voice: Her voiceover reveals deep inner confusions and emotions that were wrangled through a struggle with love and identity. She undergoes evolution within the movie. Quotes such as “if love does not drive you to the edge of madness, is it even love?” represent her passionate yet twisted view of love.
Dark Humor and Sarcasm: Rani’s comedy line often injects darkness and gets humor from the playful cynicism she appears to live with about her situation. This dualistic quality in tone reproduces her character as she goes through the twists of love and betrayal.
Narrative Tool: The voiceover is a narrative tool that interlinks the past with the present. By having it, Rani can recount her story with introspection over her choices. This will help bring forth the change from a naive bride to a woman beginning to think of the sombre realities of her life.
Overall, Rani’s voiceover deepens audience engagement by articulating her ever-changing psyche and the contradictions that exist within her character.